My appreciation for his artwork increased with his images for Look magazine of the Southern Freedom movement in the 60s, which broke him away from his idealized white, middle class imagery of America. Most people would not recognize the dark sepia study for the painting "Murder in Mississippi" as a Rockwell. The painting reveals a side of America that Rockwell kept well hid in his earlier paintings, even though he was more of a political liberal. His third wife Molly Punderson,a strident liberal, encouraged him to move in new directions. We recognize the Rockwell style in his painting The Problem We All Live With, but the subject, the young girl Ruby Bridges integrating a New Orleans school in 1960, was not typical Rockwell scenery. These paintings represent to me a kind of artistic conversion from an idealized white America.
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